“The email address you entered could not be found” is not the response anyone should receive when contacting the representative of a high-end watch company about an expensive watch that failed less than a year after purchase. But it was typical of the level of service I received from Parmigiani Fleurier USA. This is the story of my Tonda 1950 and the long wait to restore it to working order.
Regular readers of Grail Watch know that I have a particular fascination with watches that contain multiple separate movements in a single case. Ever since the Nappey Jumelles Times and Ardath Long Distance of the 1960s, watch makers have used compact “ladies” movements in oversized travel watches for men. Now a modern maker, Alexander Shorokhoff, has done the same, first with the Los Craneos an now with the new Levels model.
Almost all clocks turn “clockwise”, with the hands moving from the top of the dial to the right. But for the last few decades a few oddball watches have used hands moving in the other direction! This corner of horology is not well understood, so I decided to take a stab at documenting this revolution. It begins conceptually with the digital mechanical watches of the 1970s. Then Beuchat, a fashionable French brand of the 1980s, produces the first such watch. Swiss quartz behemoth Ronda pitches in, bringing forth an odd watch from the venerable house of Juvenia before today’s Klokers gets it right.
After over a year delay, I finally received my Chronotechna Ultimate Black watch, with its NanoBlack coated dial, cut-out luminous numerals, and black case and strap. It’s really black, but was it really worth the wait? Yes and no. It’s a good watch with a cool dial, iffy lume, and a horrible strap. But at least I got mine!
Chronotechna promised “the blackest watch ever made” but hasn’t delivered on their promises. Or, in my case, hasn’t delivered at all!
The 2019 Grand Prix d’Horlogerie de Genève features a grail for every price tag, from the affordable Ming 17.06, Tudor Black Bay P01, Seiko Prospex LX and Kudoke 2 to the insane Urwerk AMC with its atomic clock “docking station”. It also heaps praise on the long-running Audemars Piguet Royal Oak line and Chanel’s fantastic J12. Truly something for everyone!
Seiko launched a mechanical Galante line in 2010 as a cheaper alternative to the Spring Drive watches the brand was known for. This SBLL line featured an “open heart” highlighting the ticking balance and the design focused on the city of Tokyo.
The Royal Oak Chronograph was a latecomer to this celebrated line and has remained remarkably consistent throughout its two-decade life. All share the same movement and a single lineage passes from the original Ref. 25860 to the subtly-redesigned Ref. 26300, the up-sized Ref. 26320, and the new Ref. 26331. It was only this year that a second model, the 38 mm Ref. 26315, was added. Yet on closer examination, a world of differences emerges, from the City of Sails to the Leo Messi, to the new 41 mm dial. Through it all, the Royal Oak Chronograph remains one of the classiest and most comfortable watches available.
Over 18 years, Parmigiani Fleurier produced just five Bugatti watch models, and I have come to respect their engineering, design, and finishing. With the two companies going their separate ways, it is hard to imagine any other watch company doing justice to the Bugatti name.
Seiko has been collaborating with Giugiaro Design since the 1980s. The most famous fruit of this collaboration was the “Aliens” watch line, which have been reissued in recent years. In late 2018, Seiko introduced another reissue: The SBJG multi-function digital models we will discuss today.